Aarva

Crosscut · 31 min

Tech and Public Interest

Alexander Graham Bell once stood before world leaders to prove the telephone wasn't a toy, but today’s tech firms use public pension funds and government contracts to grow while staying hidden from the risks of the open market.

Everyone Wanted Alexander Graham Bell to Debut the Telephone at the Philadelphia Centennial Exhibition. He Almost Avoided It Entirely × The War of Capital

Published 2026-07-08

0:00 / 31:25 · Narrator Sulafat/Charon/Vindemiatrix

In this episode

The American Prospect

The War of Capital

by Zachary Groz

Read on The American Prospect →

The connection

In June 1876, the telephone’s future rested on a sweltering afternoon at the Philadelphia Centennial Exhibition. A Smithsonian piece from late last month describes how Alexander Graham Bell needed the eyes of international dignitaries and government sponsors just to prove his invention wasn't a toy. It’s a reminder of an era when a new technology had to win over the public square to survive. A different pattern emerges when this history sits alongside a June essay by Zachary Groz for The American Prospect. Groz tracks how modern tech firms use public pension funds and state contracts to shield themselves from market risk. It's worth pausing on this shift from seeking public visibility to using public capital to bypass accountability.

What sticks after looking at Bell’s debut in Philadelphia is the sheer necessity of the crowd. The writer describes a moment where innovation required a physical, government-sanctioned stage—twenty acres of buildings and ten million visitors—to transform a private invention into a public fact. For Bell, legitimacy was something earned through visibility and the "proper accolades" of a collective audience. Turn the page to Zachary Groz, and that relationship between technology and the public looks inverted. Where Bell sought the exhibition to prove his device’s worth, Groz argues that modern giants like SpaceX use public resources—pension funds, tax credits, and federal contracts—to insulate themselves from the very market accountability Bell was chasing. The interesting thing is the shift in what "public" actually means. In 1876, the public was the judge in the gallery; in Groz’s account, the public has become a silent, often involuntary, backstop. Read alongside the Smithsonian piece, the SpaceX IPO isn't just a financial maneuver; it’s a strategy to bypass the kind of scrutiny that once happened on the exhibition floor. These two perspectives suggest that while tech once needed the public to believe in it, it now mostly needs the public to underwrite it.

What lingers is the shift from the stage to the vault. In 1876, the telephone needed a Brazilian Emperor’s shout of surprise to prove it wasn't a toy. Today, tech firms don't seek that kind of public witness; they seek the quiet security of public pension funds. When innovation no longer has to survive the scrutiny of the market, the way an invention answers to the public changes. If the public is now a silent financier of tech power rather than its judge, what happens to the power to say no to where that technology leads?